Vrije Universiteit Amsterdam > Blaise Pascal Instituut > Girard Studiekring > COV&R 2007 > Abstracts Papers
BRUCE WARD
Tolerance and the Persecution-Resentment Dynamic: René Girard and Dostoevsky
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ABSTRACT
The modern secular concept of tolerance
originated during the Enlightenment in explicit opposition to a substantial
public role for revealed religion. That this concept of tolerance is now in a
state of crisis, on the levels of both theory and practice, is generally
acknowledged. This crisis is apparent in both the historically dominant western
models of tolerance as, first, the more or less resigned acceptance of difference (the original sense of the word tolerance),
and second, the more or less enthusiastic affirmation of difference (contemporary multiculturalism).
Historical experience (certainly in
My paper will begin with an analysis of
the contemporary crisis of tolerance, arguing that it presents an opportunity
for reconsidering the resources in the theological tradition for the sort of
recognition of otherness crucial to religious tolerance. The main focus of
the paper will be on the education of the potential persecutor, since either
model of tolerance noted above presupposes the overcoming of those human
passions that result in a violent reaction to human difference. Two principal
and equally necessary elements of such an education will be advanced: 1) First,
a critical understanding of the mechanism of persecutory violence, and in
particular the phenomenon of demonization of the vulnerable other, which
will draw particularly from René Girards analysis of the stoning of the
beggar in The Horrible Miracle of Apollonius of Tyana; 2) Second, and more
positively, what might be called an enlivening
of perception that allows
the human dignity of the other to be revealed, as an essential counter to the
temptation to demonize. As one exemplar of such an enlivening of perception, my
paper will point to the literary art of Dostoevsky. Dostoevsky himself claimed
that the Christian idea of raising up the lowly is the central ethical
task of modern literature. I will show how this idea is embodied in one of the
lowliest characters in The Brothers Karamazov, a literary
embodiment that vindicates a theological basis for the affirmative
recognition, or discernment, of vulnerability.
Dr. Bruce Ward is Professor and Chair of
Religious Studies at Laurentian University (