Vrije Universiteit Amsterdam > Blaise Pascal Instituut > Girard Studiekring > COV&R 2007 > Abstracts Papers
Darren Gray
In this court ful selde trouthe avayleth. The Vulnerable Reader at the Medieval Court of Cupid
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ABSTRACT
Cupid,
the minor Roman deity, was rarely represented as blind in classical literature
and never depicted as visually impaired in classical art.
The blindfold motif was alien to both Greek and Roman iconography
and love could never have been designated as such as, the noblest of
emotions enters the human soul by the noblest of the senses.(Panofsky)
Yet, during the fourteenth century the love god underwent a
dramatic transformation, in which he was struck blind, most notably by Bersuire
and Boccaccio, in what Theresa Tinkle has suggested was an attempt to stabilise
meaning.
The
blinding of Cupid betrayed the social anxieties embodied in this acquired defect
- the indiscriminate and undiscerning violation of all regulations and
boundaries - personifying the
loss of social order evidenced by the disappearance of the rules and
differences that define cultural divisions.(Girard)
In this paper I propose to explore what I would term the various bodies of the medieval Cupid:
Finally,
I intend to look at the possibility of reading beyond mimetic desire and
comprehending the redemptive duality of the Cupid figure as a symbol of
charitable exposition; a cautionary figure pointing to the otherness of
caritas, thus establishing him, ultimately, as a pharmakon.
I intend
to demonstrate this by concentrating mainly on English vernacular texts of the
fourteenth century.
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Darren Gray. Doctoral Postgraduate, Department of English (Medieval), University of Birmingham, England.